The Watchmaker of Filigree Street
1883. Thaniel Steepleton returns home to his tiny London apartment to find a gold pocket watch on his pillow. Six months later, the mysterious timepiece saves his life, drawing him away from a blast that destroys Scotland Yard. At last, he goes in search of its maker, Keita Mori, a kind, lonely immigrant from Japan. Although Mori seems harmless, a chain of unexplainable events soon suggests he must be hiding something. When Grace Carrow, an Oxford physicist, unwittingly interferes, Thaniel is torn between opposing loyalties.
The Watchmaker of Filigree Street is a sweeping, atmospheric narrative that takes the reader on an unexpected journey through Victorian London, Japan as its civil war crumbles long-standing traditions, and beyond. Blending historical events with dazzling flights of fancy, it opens doors to a strange and magical past.
The Watchmaker of Filigree Street is a sweeping, atmospheric narrative that takes the reader on an unexpected journey through Victorian London, Japan as its civil war crumbles long-standing traditions, and beyond. Blending historical events with dazzling flights of fancy, it opens doors to a strange and magical past.
The Watchmaker of Filigree Street is the debut, international
bestselling book by Natasha Pulley.
The Watchmaker of Filigree Street places us in an alternate
London at the turn of the nineteenth century. But it certainly isn’t the London
that we know, or the London that ‘we’ had in 1883 when this story begins. This
London, is filled with a certain type of magic that pulses strongly at its
core. It is a London that is in a love/hate relationship with the Japanese
culture and deals with the fear of foreigners; something that is still valid
and current in our time (especially with the refugee crisis in Europe). This
book deals with shadow and light in this alternate London, but the book itself also
has its own shadows and problems it tries to deal with.
The author not only studied English literature at Oxford, but
also studied in Japan for 19 months on a scholarship. The Japanese culture has
certainly left its mark on the author, as much of the book deals with the Japanese
and their struggles to fit in, while trying to retain their cultural identity
in a world which is quickly modernizing. It is a struggle that still happens
today for refugees streaming into Europe. A struggle for those who are dealing
with wanting to fit in while integrating into a society foreign to them, yet
also wanting to hold on to their own values and beliefs, which often are not
valued by the country receiving them.
The book has three main characters (four if you count an
adorable clockwork Octopus named Katsu), and of the strange path that leads and
intertwines their fates. At times, the supporting characters were a bit
confusing, and I found myself back-paging quite a lot to remind myself of who a
particular character was. The character building was a bit weak for the supporting
cast, and at times, I questioned the motives and actions of the main characters
also. The author was successful in character delineation, however, some of the
characters felt very simple and two-dimensional.
The author dealt well with romantic/sexual situations
including some homosexual situations. At times, it was so subtle, that it took
me a moment to realize that something might have happened. In that regard, it’s
definitely not a problem for our younger readers (although the story and plot
might not be to their liking).
The plot at times was very heavy and slow moving. This
should have given time for the characters to fully develop and for us to get a
good look ‘behind the scenes’ and how and what makes the players tick. As
mentioned before, the characters ended up being a bit flat and their actions
were quite foreign to what I could relate to.
While reading this book, I tried numerous times to fit this
book into a certain genre and failed. I believe this work of fiction is just
one of those books that defies classification. It could lean towards alternate
history and steampunk (without the steam). The clockwork that plays a major
role in this book, is naturally an amazing sight to behold, but many of the
characters who come close to the clockwork wonders, don’t respond with awe and
wonder, which either means they’ve seen it all before, or most likely, that the
author left out these reactions by mistake.
The debut book from Natasha Pulley is definitely something unique
and hard to classify. Interesting elements of alternate history, the tensions
of foreign cultures, and clockwork wonder make for an interesting nineteenth
century London. Certain elements in character and dialogue development felt
flat and rushed and the plot left me wishing for things to get moving faster
for a large section of the book. I recommend this read for those who like the above-mentioned
ideas and genres, as this book might be a good fit for those who appreciate alternate
histories and clockwork. Unfortunately, the cover was much more intriguing to
me than the actual story. Many debut books I have come across in the past have
elements that need to be ironed out.
I certainly look forward to reading the author’s upcoming
book, ‘The Bedlam Stacks’ due out in August 2017 from Bloomsbury Publishing.
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